Musicke
& Mirth​

Spannende Musik für Gamben

Musicke
& Mirth​

Spannende Musik für Gamben
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1 week ago

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Bis morgen in Kloster Lehnin, Konzert 16:00 !!
- oder am Sonntag in der Dorfkirche Brodowin um 17:00 🎻 🎻 Les Voix Humaines www.musicke-mirth.ch
... Mehr sehenWeniger sehen

Bis morgen in Kloster Lehnin, Konzert 16:00 !!
- oder am Sonntag in der Dorfkirche Brodowin um 17:00 🎻 🎻  Les Voix Humaines https://www.musicke-mirth.ch

🤩🤩 - already looking forward to this year’s viol duo summer concerts in Kloster Lehnin 19.7.2025 #lehninersommermusiken and Dorfkirche Brodowin 20.7.2025 ... Mehr sehenWeniger sehen

🤩🤩 - already looking forward to this year’s viol duo summer concerts in Kloster Lehnin 19.7.2025 #lehninersommermusiken and Dorfkirche Brodowin 20.7.2025

Playing duo with the greatest fun ... ... Mehr sehenWeniger sehen

Playing duo with the greatest fun ...
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2 days ago

Tomorrow in Kromer Festival Biecz! ... Mehr sehenWeniger sehen

Tomorrow in Kromer Festival Biecz!

This lovely Sanctus and many other gorgeous pieces soon to be heard in Biecz Kromer Festival. The Polish premiere of our Krasinski Codex program on the 26th of June in the Colegiate Church (19.00)! See you there! ... Mehr sehenWeniger sehen

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4 months ago

Andachten in der Ref. Kirche St. Margarethen, Binningen BL :
Dienstag 15.4., 18.30 Uhr, Instrumentale Musik des 15. Jh.
Elizabeth Rumsey – Fiedel, Viola da gamba
Caroline Ritchie – Fiedel, Viola da gamba
Agnieszka Budzińska-Bennett – gotische Harfe

Gründonnerstag 16.4., 18.30 Uhr, Lieder von Heinrich Laufenberg
Agnieszka Budzińska-Bennett – Gesang
Marc Lewon – Laute, Fiedel & Gesang

Karfreitag 18.4., 18.30 Uhr, Karfreitag Lamentationes
Agnieszka Budzińska-Bennett – Gesang & Drehleier
Marc Lewon – Laute & Gesang
... Mehr sehenWeniger sehen

Andachten in der Ref. Kirche St. Margarethen, Binningen BL:
Dienstag 15.4., 18.30 Uhr, Instrumentale Musik des 15. Jh. 
Elizabeth Rumsey – Fiedel, Viola da gamba 
Caroline Ritchie – Fiedel, Viola da gamba
Agnieszka Budzińska-Bennett – gotische Harfe 

Gründonnerstag 16.4., 18.30 Uhr, Lieder von Heinrich Laufenberg 
Agnieszka Budzińska-Bennett – Gesang
Marc Lewon – Laute, Fiedel & Gesang

Karfreitag 18.4., 18.30 Uhr, Karfreitag Lamentationes
Agnieszka Budzińska-Bennett – Gesang & Drehleier
Marc Lewon – Laute & Gesang

Our complete edition of Krasiński Codex (Rps 8054 III, commonly called Kras 52) with essays and critical commentary is out! It combines philological approach with decades of practical experience of its authors, Agnieszka Budzińska-Bennett and Marc Lewon which makes it also performer-friendly. Particular traits of this bilingual publication (pl & eng) are the reconstructions of previously unedited pieces preserved fragmentarily, some alternative transcriptions wherever the reading were ambiguous. Each composition is accompanied by an essay on the history of the piece as well as the nature of the notation and the method of transcribing. The publication also includes: an introduction, short biographies of composers and poets, a glossary of terms used in the edition and the most up-to-date bibliography.
The project is accompanied by a complete recording of the works in the manuscript (3 CDs, Raumklang 2024) by Ensemble Dragma and ensemble Peregrina, directed by Agnieszka Budzińska-Bennett, with further practical insights into the repertory of Krasiński Codex, including some alternative forms, instrumental concordances and fanciful diminutions.
Buy: pwm.sklep.pl/the-krasinski-codex-pl-wn-rps-8054-iii
CD: www.asinamusic.com/de/rk4402.html
... Mehr sehenWeniger sehen

Our complete edition of Krasiński Codex (Rps 8054 III, commonly called Kras 52) with essays and critical commentary is out! It combines philological approach with decades of practical experience of its authors, Agnieszka Budzińska-Bennett and Marc Lewon which makes it also performer-friendly. Particular traits of this bilingual publication (pl & eng) are the reconstructions of previously unedited pieces preserved fragmentarily, some alternative transcriptions wherever the reading were ambiguous. Each composition is accompanied by an essay on the history of the piece as well as the nature of the notation and the method of transcribing. The publication also includes: an introduction, short biographies of composers and poets, a glossary of terms used in the edition and the most up-to-date bibliography.
The project is accompanied by a complete recording of the works in the manuscript (3 CDs, Raumklang 2024) by Ensemble Dragma and ensemble Peregrina, directed by Agnieszka Budzińska-Bennett, with further practical insights into the repertory of Krasiński Codex, including some alternative forms, instrumental concordances and fanciful diminutions. 
Buy: https://pwm.sklep.pl/the-krasinski-codex-pl-wn-rps-8054-iii
CD: https://www.asinamusic.com/de/rk4402.html
4 months ago

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5 months ago

Eine wunderbare Besprechung von Krasinski Codex bei Deutschlandfunk!
www.deutschlandfunk.de/ein-musikalischer-schatz-der-codex-krasinski-100.html
... Mehr sehenWeniger sehen

Eine wunderbare Besprechung von Krasinski Codex bei Deutschlandfunk!
https://www.deutschlandfunk.de/ein-musikalischer-schatz-der-codex-krasinski-100.html
5 months ago

Happy to read these words about our work on Krasinski Codex in British Gramophone (February 2025)!
"[Marc] Lewon, Agnieszka Budzińska-Bennett and Grace Newcombe sing and play several instruments, and they all excel. Newcombe’s voice has many admirers, but she’s also very canny on the organetto (those crunchy leading-notes!) and the harp. The instrumental playing stands out for its fluency and precision and the vocal soloists are generally on great form, whether as an ensemble (in the Gloria Ad ongni vento by Zachara) or singly (the Regina gloriosa attributed to Ciconia, with Lorenza Donadini on the cantus line). (...) But most importantly, the lion’s share of music that’s recorded here for the first time is superbly done."
... Mehr sehenWeniger sehen

Happy to read these words about our work on Krasinski Codex in British Gramophone (February 2025)! 
[Marc] Lewon, Agnieszka Budzińska-Bennett and Grace Newcombe sing and play several instruments, and they all excel. Newcombe’s voice has many admirers, but she’s also very canny on the organetto (those crunchy leading-notes!) and the harp. The instrumental playing stands out for its fluency and precision and the vocal soloists are generally on great form, whether as an ensemble (in the Gloria Ad ongni vento by Zachara) or singly (the Regina gloriosa attributed to Ciconia, with Lorenza Donadini on the cantus line). (...) But most importantly, the lion’s share of music that’s recorded here for the first time is superbly done.

This beautiful piece from Krasiński Codex is for today’s feast of the Purification - enjoy the live version with glorious diminutions by Marc Lewon ... Mehr sehenWeniger sehen

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